
Time for the Sunday Book Review! Two great books by established authors. One bellies up to the science fiction bar, while the other somehow avoids that tag, though it too requires the suspension of disbelief.
First,
Brasyl, by Ian McDonald. His last book,
River of Gods started strong, but accelerated, bringing in so many bits necessary to the hyper-plot that I lost my way around 75%, put the book down and never picked it back up. But the cover art of
Brasyl and the other of McDonald's books I've read persuaded me to try once again. Like
River the plots (three interwoven stories) accelerate, so keeping track is a matter of not setting the book aside for too long. Each of the three plots is good, exciting, supports excellent but slightly flat characters in three timelines in Brazil. A wonderful place for speculative fiction, as it's unfamiliar and surreal enough to sustain reader belief in the plot while not being on some distant moon or something.
Fine book. Buy it and read it, but don't set it down for too long or you'll lose track(s).
Before buying
Brasyl I'd picked up a copy of Michael Chabon's
The Yiddish Policemen's Union. Having read
The Amazing Adventures of Kavalier & Clay awhile back, I avoided his two subsequent novels because
Kavalier's gay themes made me uncomfortable - it was hard to relate, as that was a key element in the book.
Yiddish, like
Brasyl, requires a suspension of disbelief. The premise is that after WWII the European Jews were unable to hold Israel and were given a temporary home by the U.S. government in the Aleutian Islands - Sitka, actually. Three pages in, that becomes the readers' reality. From here on it becomes a detective novel with a yiddish flavor and twisted intertwined plots involving governments, Indians, murder, the Messiah, espionage, chess, romance/sex and about everything one could ask for. I put it down briefly to Read
Brasyl and had no trouble picking up where I'd left off. Now my entire interaction with religious Jews has been in buying camera stuff in NYC. I am not part of the culture, but the author cleverly assumes the reader can pick it up as he goes along. No pausing for explanations or definitions, just an assumption of the cleverness if the reader - and I really appreciated that.
But and read this one too. Maybe first.
I know there have been some books mentioned that I haven't returned to. Should you notice them, feel free to comment here and I'll let you know either what I thought or why I put the book away. I read enough that I could probably make daily posts on books alone, but of course that's not why most readers come back here.
The model shown is Simone, photographed nude in an office building by Columbia University in NYC six years ago. Tall, lovely and with a brand new PhD.
Labels: books